has been a key stakeholder in the UK drill scene for almost a decade. He has received flowers for his output within the genre, proving on countless occasions just why he sits within the creme de la creme. But in recent years we’ve seen him make a conscious effort to break out of the box it put him in. His 2024 collaborative EP with Knucks showcased his conviction as a boundless rapper. Now stepping into his sophomore album, it’s clear he aims to solidify the results of that journey. 

‘TRAPO II’ counterparts its 2021 processor, the ‘TRAPO’ mixtape went on to be a breakout moment for K-Trap. So from the onset of this new LP it’s clear he draws and bolsters that early rawness. The first track ‘Shooters Be’ opens with a dark instrumental that steps away from a commercial structure. In true rap intro fashion, it’s assertive and sets the tone. 

Not surprisingly, the album is rife with clever punchlines. The endless onslaught of cultural references intertwined into head-bopping bars is a feat he is known well for. Trap’s ability to do so is yet to waver, as shown on new songs like ‘CAN’T RELATE’ and ‘MYSTERY BOX (ft. Headie One)’. 

A similar prowess is shown on ‘FDN’, which is undoubtedly one of the standouts. On first take it feels like a typical lifestyle song but gains depth through his wordplay. 

Of the 18 tracks, 10 feature other artists. With his plight to push his perception in mind, it doesn’t feel like overkill. When K-Trap popped out with breakout single ‘David Blaine’, you’d not expect that nine years later songs such as ‘NAVY’ with Masicka’ and ‘PRESSURE’ with Oxlade would exist. Their rhythmic global appeal is unlikely but welcomed and expands the soundscape. 

Other notable guest appearances on ‘TRAPO II’ come from UK underground aficionado . ‘SPEED CHASE’ has a beat that is quickly captivating, it combines elements of trap and rap to come out on top. Len’s robust but energetic vocal is juxtaposed with a slowed down flow from K-Trap and it works well. As does street anthem-like back-to-back with W1ZZY, ‘TRAP TALK’. 

As the album plays out, Trap’s conviction is poised as the key theme – it binds the record. The biggest shift comes from track seven to ten. ‘PRESSURE’, ‘CANT SAY NO (ft. Young Adz) and ‘DEMONS’ usher in a softer approach. Storying love positively before getting to the latter where a hearty vocal from Isabel strikes through. Paired with an instrumental that’s grandiose in production, piano and strings provide the backdrop for an honest moment. He explores the pain staking duality of his current prosperity and past trauma. ‘SAVE ME’ later acts as the closer, he lays it all bare. It’s heartfelt and leaves a sombre taste on the tongue. 

Throughout TRAPO II, K-Trap’s pen isn’t in question. We hear him rooted in drill but actively growing outward. As he weaves a plethora of braggadocious entendres into his bars, he also incorporates vulnerability. With 18 songs, a more concise roster might have better aided his mission, but this release ultimately serves as s a genuine display of the artist he is today.  

7/10 

Related: “I’ve Grown As A Musician!” K-Trap Is Staking His Claim